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How
do you read your opponent's shot when playing the net? You have desperately
tried to read the racket face and observe your opponent's body position
for clues to determine the direction of their passing shot, but nothing
seems to work! In your mind you'll never be able to read your opponent's
shot. Why? Because everything seems to happen too fast.
Guess what?
I agree, everything does happen too fast to read the situation,
make a snap decision and go off in the direction of the ball. But
you say, net players are supposed to be able to read physical clues
and quickly move in the direction of the ball. Guess what? I agree
with that too!
Okay let's sort
out this conundrum and clarify the different aspects of net play
so you too can begin making those snap decisions, and have brilliant
success at the net. First and foremost you must rightly divide and
analyze these three areas.
1. Levels of
play
2. Principles of learning
3. Principles of net play
LEVELS OF PLAY
If you are a
4.5 or higher player reading the racket face and body position of
your opponent becomes a natural result of experience.
If you are a
1.0 to 4.0 player then to attempt to read your opponents passing
shot by looking for particular signs is often a frustrating exercise
in futility. Unless of course you learn to follow the correct principles.
The point is, your level of play has much to do with how you learn,
and what method you use to learn.
PRINCIPLES OF
LEARNING
Much of the
confusion and frustration when learning any aspect of tennis can
be avoided by understanding what I call the "professional model
syndrome." The syndrome works in this fashion: Using scientific
studies on the top players to determine what they are doing mentally
and physically to make them great players. In the case of reading
an opponent's shot, pros are masters at picking up on certain clues
to quickly determine where an opponent will hit a shot. Science
breaks down the key elements of this feat and then this information
becomes a model for teaching. Not a bad idea, used correctly this
can be extremely beneficial. Unfortunately there is a down side
to this learning model that causes much confusion.
Professional
tennis players do not learn by coaches teaching them to watch the
racket face and body position. They have learned to read their opponent's
shot through a process that took them many, many, many months and
years of practice and experience. What science is breaking down
is the RESULT of all those months and years of experience and placing
it in a 'technique' category. Somehow you are now supposed to take
this technique WITHOUT THE PROCESS OF EXPERIENCE and begin reading
your opponents passing shots. Sorry, but this is just not going
to happen. Not unless you have gone through a process (of experience
and repetition) which will prepare you correctly to assimilate and
apply that information.
As a result
you become frustrated and think to yourself, "I guess I'm just
not quick enough, smart enough, or skilled enough to read my opponent's
shots. But, this is not true! You can learn to read your opponent's
shots by first working on the same core principles that the pros
practiced when they were learning. In other words you MUST understand
the process.
PRINCIPLES OF
NET PLAY
Below is a list
of many different clues a pro sees or senses when reading an opponent's
shot. A pro does not always move according to what he sees, but
what he senses. Thus the reason why there is not a mechanic or a
technique that will allow you to read your opponent's passing shots.
You must develop your senses. These different clues are:
1. Racket face
2. Body position
3. Ball position
4. The score
5. The opponent's patterns
Keep in mind
this analysis happens quickly and instinctively to send a signal
to the pros mind so that he can calculate where he thinks the ball
will go. Often it is a combination of several different clues.
Now, where do
you begin to create the correct mental environment necessary to
develop your ability for reading these different clues. You begin
by first developing three simple mental skills at the net.
1. A relaxed
mindset
2. Impact awareness
3. Shot priority
A RELAXED MINDSET
First, you must
learn to relax at the net and alleviate any unwanted anxiety that
produces a racing mind. When the mind is galloping you are playing
with a more conscious, rigid mindset not allowing the instinctive
and spontaneous nature of the subconscious to function properly.
To begin the process of reading your opponent's shot and improving
your senses you must learn to control mental anxiety. I teach my
students to practice shutting their mind off, similar to turning
off a radio. Simply stop the internal racing by clicking the mind
off and thinking about nothing! With practice this mental technique
will teach you to tap into the automatic and instinctive subconscious.
IMPACT AWARENESS
Second, with
this relaxed concentration you must next learn to focus on the exact
moment your opponent will impact the ball with the racket. At that
moment you are in a heightened state of awareness. You are relaxed,
but alert! Not an easy combination, but one that is necessary to
begin the journey toward anticipation at the net. With this heightened
state of awareness your subconscious will go to work and begin taking
note of your opponent's position, racket face, etc. In time reading
the ball WILL become easier and more automatic. You are beginning
the repetition process that will give you the experience to anticipate
your opponent's shots.
SHOT PRIORITY
Third, when
you are at the net your mental priority should be that your opponent
will drive the ball at you, not hit a lob. Most players have lob
in their mind the moment they arrive at the net. As a result they
are constantly playing back on their heals and never ready for a
volley. There is not much of an opportunity to anticipate where
your opponent's driving shots will be hit if your mind is obsessed
with a lob! Also your opponent's driving groundstrokes will arrive
much faster than a high lob over your head, therefore driving groundstrokes
should be the FIRST PRIORITY in your mind if you wish to improve
your anticipation at the net.
If you practice
these three mental skills consistently, a relaxed mindset, impact
awareness, and shot priority I guarantee you will create the correct
mental environment that will influence your senses and teach you
to read those crucial clues at the net. It may take some time, but
to develop a more automatic, instinctive and spontaneous net game
will be well worth the wait!
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What
determines the direction of your ball?
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A
week ago I was talking to my sister about her husband who is having
some tenderness in the area of his kidneys. The doctors have done
some test, and nothing was wrong. I suggested an increase in water.
He was only drinking 2 - 3 glasses of water a day. Not good! After
a week he seemed to be noticeably better. My sister said, "wouldn't
that be unbelievable if something as SIMPLE as water could solve the
problem." To increase water to solve this type of problem was
not even an option, because it was too SIMPLE...how can it be? Yet,
the dynamics of drinking water is so powerful it can solve a host
of different health problems.
Here is a SIMPLE
principle of tennis you probably will not believe either. Yet, what
it can do to your game is extremely powerful and can also solve
a host of different tennis problems. Like the water analogy, it's
just too SIMPLE...how can it be?
The principle
is, whichever way you point the racket face is the way the ball
will go. Too SIMPLE for you? Tennis pros are going to be angry with
me for this next phrase. Even if you do everything technically wrong,
but have the racket face correct the ball will go toward your desired
target. Now, I am not telling you to go out and play sloppy tennis.
I am trying to teach you a principle. The racket face determines
the direction of the ball, not technique. Technique can help you
acquire more power. Technique can help you hit topspin or slice.
But control of the racket face determines where the ball goes. And
practice, trial and error, and repetition determine your feel'
of the racket face.
* If you would
like to hit the ball down the middle of the court you place the
racket face on the back of the ball.
* If you would
like the ball to go cross court you place the racket face on the
outside of the ball.
* If you would
like to hit an inside out forehand or backhand you place the racket
face on the inside of the ball.
* If you would
like the ball to go up in the air (a lob) you place the racket face
on the bottom of the ball.
* If you would
like to hit the ball down toward the ground (a lousy shot) you place
the racket face on the top of the ball.
* If you would
like the ball to go backward toward the fence just miss the ball
entirely. :)
WHICHEVER WAY
YOU POINT THE RACKET FACE IS THE DIRECTION THE BALL WILL GO.
Do you know
how I teach players to understand their racket face? I suggest taking
it to dinner, a movie, or perhaps a good nightcap. :) But, the next
day I make them hit hundreds and hundreds and hundreds and hundreds
of tennis balls...really! Last week I had a lesson with one of my
students. Her name is Judy. Sonny, the fellow who feeds balls to
my students for me, counted how many balls she hit. We were working
on backhands. Judy is a strong "A" player, but had a weak
one handed backhand. I gave her some SIMPLE procedures and we're
off. Sonny stands up at the net and feeds her ball after ball after
ball. The total came to 550 backhand hits. Would any of you like
to take a lesson with me? :) I have done this with Judy week after
week as she is developing her backhand. Is her backhand improving?
You bet it is!...this phenomenon is called practice! One of the
simple procedures is to encourage her to experiment with the racket
face, hitting cross court, down the line, in the net, out of bounds.
I don't care where the ball goes as long as she is experimenting
and learning a feel for the racket face. Because it's her understanding
of the racket face that will ultimately determine the control she
will have over the ball. The same is true for every player including
yourself.
* The next time
you're playing and you hit a ball in the net, you simply placed
the racket face toward the top of the ball too much - the next time
hit the bottom of the ball more.
* If the ball
goes long you hit the bottom of the ball too much - the next time
place the racket face toward the top of the ball more.
* If you're
trying to hit the ball down the line and it goes cross court - the
next time place the racket face toward the back of the ball more.
* If you're
trying to hit the ball cross court and it goes down the line - the
next time place the racket face toward the outside of the ball more.
* An so on and
so on.
Note where your
ball goes and the next time attempt to change the racket face to
compensate. It's SIMPLE! Your ball may still not go exactly where
you want, but you're learning a feel for the racket face. And like
most players, you won't have to over think all of your misses. I
know you think you missed because you didn't do all this intricate
technical jargon correctly, but this is not true. Again, technique
may help you with extra power, topspin or slice but it's the racket
face that will determine the direction of the ball.
Still don't
believe me? How about this? Have you ever seen a pro hit a ball
from behind his back for a perfect shot in the court?
* Why did he
not bend his knees?
* Why did he
not prepare his racket early?
* Why did he
not move his weight into the ball?
* Why did he
not stay still and balanced?
* Why did he
not have his racket head above his wrist?
* Why did his
ball land in the court?
Answer. Racket
face. Case closed!!!
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In
doubles there are three ways you can take the net. Number one, you
can serve and run to the net. This is called serve and volley and
is definitely the most difficult of the three. Number two, you can
return serve and run to the net. This is the one I try to teach my
students to do the most. And third, you can serve or return serve,
rally for a while, wait for a short ball than hit what's called an
approach shot and come up to the net.
Now, let's show
you what each method has in common. The serve and volley is the
most difficult, but one of the keys is to hit the first volley without
going for a winner. After you have served and you're running up
to the net the first volley you hit should be used as a vehicle
to get you to the net, not as an opportunity to win the point outright.
The second way to take the net, return serve and run in, should
eventually be used on all slow second serves. Why not, it's a perfect
ball to come in on. Again, do not try to hit a winner, instead go
for a medium pace, deep approach shot keeping your opponent back
as you advance forward. The third way, serve or return serve, rally,
wait for a short ball then come in, should also be with the same
mind-set. Hit the short ball deep and come into the net. Again,
you're not trying to hit a winner.
Here's the point.
Notice the similarities with all three. You are not going for winners,
but setting yourself up for the win. Most people are in a hit winners
mind-set all the time and take most of these shots and hit the back
fence. Take for instance the slow second serve. I know if you're
the person returning serve you think, this is it, I'm going to wallop
this slow ball home for a winner. And you do, about four miles down
the road where you live. Mission accomplished! You knocked it home!
The next time
you're playing take one of these shots, let's say the return of
second serve. Hit it without going for a winner and advance to the
net. Stay ready for a return and you'll be surprised how many times
you'll have an opportunity to then win the point! This is a simple
strategy, but you'll be surprised how this strategy eludes most
people.
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How
would you like to be able to aim your shots and have the ball go where
you're aiming! We'll, I have the solution! It's not a quick fix solution,
but a solution that can probably cut your learning time in half. It's
the missing link! O.K. here it is, this may shock you so you may want
to sit down. If you want to aim your shot better you're going to have
to think about aiming it! You may be thinking...that's it! Yep, that's
it! Do you know how many players do not think about aiming their shot,
but just hit the ball with the hope that it will go somewhere over
the net. As one of my players once retorted when I questioned her
if she was aiming the ball or not. She said "I am aiming it.
I want the ball to go...that way!" As she pointed somewhere over
the net.
Now, if you're
a C player this is not a bad idea, but if you're a B3 player or
higher you need to begin practicing thinking about aiming your shot.
Notice I said practice thinking. The key here is thinking. During
practice you must begin practicing the correct thought process of
aiming the ball. Each time you're about to hit a ball think about
where you want to aim it. At first this will feel awkward because
you're not used to it, but with repetition thinking where you want
to aim the ball will become very natural. In fact, eventually if
you do enough repetition the correct thought will pop into your
mind automatically. This brings me to the pop principle.
The pop principle
is something I use extensively in my teaching methods. It goes like
this. If you repeat a thought (like aiming a ball) enough times
over and over again for weeks and months, eventually that thought
will automatically pop into your mind at the right time. To learn
a physical skill you must repeat that skill over and over again.
Well, the same is true for the thinking. You must repeat a thought
over and over again until you learn it.
The next time
you're practicing try some repetition of thought. Begin by thinking
about where you're going to aim your shot. Do this enough times
and presto someday it will amaze you by popping into your mind all
by itself. The pop principle works...use it!
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The
freedom to go for your shots
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Give
yourself the freedom to go for your shots and if you miss...accept
it! Easy enough to say, but to accomplish this sometimes can be mind
boggling!!! I have a challenge for everyone. A challenge that helped
me reach the next level in my tennis game. Here it is.
In your next
three matches give yourself the freedom to go for your shots, whether
you win, lose, or draw. By going for your shots, I do not mean blasting
the ball all over the court. You can be hitting a slow drop shot
and still be going for your shot. It's more a matter of what you
think. Going for your shots is merely the absence of being tentative.
You mentally let go. To mentally "let go" you must be
willing to accept the mistakes and failures that come with this
mental attitude. When you "let go" a percentage of your
shots will go in and a percentage will miss. You must accept this
as your level of play. I repeat, you must accept this as your level
of play. This is one of the keys to accomplishing this challenge.
You can not think to yourself, I could have played better if I would
have played my old way.
I have told
many players to do this in some of their fun matches, but they always
come back and say "I did let go, but only for half of the time."
I have often said it's easier to play on a higher level, than on
a lower level. Why? Simple, pros only know one way to play...they
go for it! If they did not go for it, they would lose. As a result,
there is no indecisiveness when they play. When there is no indecisiveness
there is less mental confusion. They make one decision (even if
they miss) and that one decision is to "give themselves the
freedom to go for their shots and if they miss, accept it."
Nike had it right "just do it!"
What I remember
the most about finally "letting go" was the sense of freedom
that came with it. I stopped worrying about winning or losing and
just played. I was just on "go," win, lose or draw. The
amazing thing to me was how well I eventually started playing. To
me it was a secret that catapulted my game up a notch or two. It
was fun! You can do the same. Give this a try in the new year. Start
by just "letting go" for three matches. You will experience
something you never have before. One word of caution though. Do
not go on the court thinking to yourself, yes I'm going for it!
Then, the first shot you miss you say, well I tried that, back to
my comfort zone! See if this year you can step out of your comfort
zone and into the Mental Toughness Zone by "giving yourself
the freedom to go for your shots and if you miss, accept it!"
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It
is time for another lesson on the "mindset when playing."
Why is it so much easier to play tentatively, rather than going for
your shots with the correct mindset? The answer lies in fear. Fear
of failing! Going for your shots and being aggressive requires you
to take risks. When you take risks you make yourself more vulnerable
to failure. Therefore, there are a certain amount of negatives, mistakes
and failures that come along as part of the package. Since most people
have trouble handling their mistakes and failures, mainly because
they have not trained themselves properly to handle them, they will
opt instead to play tentatively. Obviously you can play tentatively
and win, but in the long run as the competition improves you will
be in big trouble. You must learn to begin making decisions to go
for
your shots. This is not an easy task.
By going for
your shots I do not mean hitting the ball with power. You can go
for your shots and hit a slow drop shot. It just means the absence
of playing tentatively. I was also guilty of playing tentatively
in my college days. I remember the decision I made to stop playing
tentatively and to go for my shots. To this day I clearly remember
why I made that decision. It is really not complicated. One day
I was playing a college match, I played tentatively, and lost! After
the match was over I remember thinking to myself, I could have had
the same results playing with the correct mindset and enjoyed myself.
I would much rather lose playing my match correctly, than lose playing
tentatively.
That moment
changed my attitude for good. I suggest you do the same. Here is
a hint on how to break the tentative syndrome. You must "give
yourself the freedom to go for your shots and if you miss, accept
it!" The key to stop playing tentatively is to first learn
to accept the negatives, mistakes, and failures that are part of
the package - "give yourself the freedom to go for your shots
and if you miss, accept it!" The ability to accept failure
while thinking correctly is what mental toughness is all about.
You should constantly make decisions to go for your shots - win,
lose, or draw. Mental toughness does not mean you never fail. That
bears repeating. Mental toughness does not mean you never fail.
It means you make decisions that will give you the best opportunity
for success. The first tough decision to master is to not play tentatively
- even when you fail! "Give yourself the freedom to go for
your shots and if you miss, accept it!"
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Thinking
correctly on approach shots
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What
is an approach shot, and what should you know about it? An approach
shot is the shot you hit that will bring you to the net. An illustration
of this would be playing singles and rallying from the baseline waiting
for a short ball. When you get a short ball you hit an approach shot
and move up to the net. The same thing is true for doubles if you
play back on the baseline. When you receive a short ball, and at least
one opponent is on the baseline, you can hit an approach shot and
come up to the net.
There are three
major mistakes that most players make when hitting approach shots.
First, they go for too much. Most players see a short ball (especially
if it is slow) and think this is it, Im going for it. Usually
they knock it out or into the net. Their mindset is one of trying
to win the point (theres that hit winners mindset again!)
instead of hitting an approach shot and looking for a volley or
overhead to win the point. When hitting an approach shot your mindset
should be to set yourself up for the win, not win the point outright.
What youre thinking when hitting the approach shot is crucial
for long term match play. The key is, stop trying to go for too
much!
The second major
mistake is trying to stand still when hitting approach shots. Forget
it! This is not the way to make a fluent transition from the baseline
to the net, and in reality if you put on the brakes to hit an approach
shot, you will affect your timing and rhythm. The pros do not do
it this way and neither should you. On the surface it seems to make
sense, because if youre still, youre balanced, but tennis
is a moving game and you should learn to be balanced while on the
move. Just like learning to ride a bicycle or learning to walk,
you practice until your balance improves. Standing still and hitting
any tennis shot is a myth and is not based on true application.
The next time you're playing, give yourself the freedom to hit your
approach shot on the move and enjoy the ride!
The third major
mistake is not hitting deep enough. If you hit the approach shot
deep the ball will stay in the air longer and give you more time
to reach your net position. Also, if your ball stays in the air
longer to reach your opponent, this means it will stay in the air
longer to get back to you, and as a result give you more time to
react to the ball. Obviously, this means you will not be rushed
when hitting your shots. Short approach shots, less reaction time
- deep approach shots, more reaction time....its a no brainer!
In summary,
the three major problems players have when hitting approach shots
are:
1. Going for
too much.
2. Trying to
stand still when hitting.
3. Not hitting
their approach shot deep.
Learn them,
apply them, and watch the difference!
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To
help players learn to play in different gears I teach a doubles clinic
where everyone has to play their volleys at a slower pace. I do not
want them to slow down their body, just slow down the speed of their
shots a little. It's an essential drill. I usually get yelled at a
couple of times because players have trouble moving fast when they
know they have to hit slower. This of course does not make sense.
Moving and hitting are two different skills. I explain briefly that
they must learn to move fast and hit at different paces to become
a better player. Then they see the light and we move on. A few minutes
later I get yelled at again (tough drill for me :) when they miss
an easy shot. They exclaim, "when I slow down, my timing goes
off and I miss. I could have made that shot at my normal volley speed."
I often think to myself, can you imagine a pro saying I slowed down
my stroke and it made me miss. Pros learn to play at all different
speeds and so will you!
After a while
I pull them all up to the net for a powwow. I have many such discussions
in my day! I begin by quizzing them, "do you know why you are
having trouble with this drill?" They usual are not one hundred
percent sure why they are having so much trouble. My answer is,
"because you are not good enough." Well, you can imagine
that comment is not a big hit, but I usually do not get my self
in trouble without a means of escape, so I quickly explain to slow
down a shot and play at a different speed is an extremely high level
of play. Have you ever seen a pro run full speed on the court then
hit a slow touch angle? Do you think you can do that? To move fast
and hit slow is tough!!! But, this is a level of play you must strive
to reach. With this explanation I barely escape unharmed and we
go back to the task at hand.
NOTE TO TEACHING
PROS - try this at your own risk.
Another problem
I run into is players think the ball they hit is moving too slowly.
The truth is when they slow their shot down they are not really
slowing the speed of the ball down all that much. What's happening
is when they slow down their shot they have to slow down their mind
at the same time, creating the illusion the ball is traveling super
slow. Most players hit with their mind racing and think everything
is happening faster. Do you? This is one of the main reasons I do
this drill. To teach them to move fast but slow down their mind.
If they can accomplish this slowing of the mind they will play more
relaxed, aim their shots with more accuracy, and improve their feel
of the point.
The reason their
timing goes off is because they have their timing connected to this
frantic state of mind when hitting. When they attempt to slow down
their mind their timing goes completely out of whack!
The challenge
is for you to learn to play with this relaxed slow mindset and not
blame your misses on slowing down. Your top pros play with this
mindset, so why shouldn't you. That's right the pros move FAST,
but maintain a slow controlled mindset. Even when they are hitting
hard they are mentally relaxed and controlled. You can do the same.
But, first you must learn the art of moving fast and hitting slow.
Below is a list
of benefits you can expect if you can master this mindset.
* Improved accuracy
* Play more relaxed
* Save energy
* See the ball better
* Improved feel of point play
* Move more fluidly
* Not over play as much
* Create a sense of mental control
This is only
a partial list. You will even improve your confidence. This is one
of those magical moments of doing less to get more. The art of moving
fast but slowing down your mind is a mental challenge that is well
worth the effort. To accomplish this mental technique, practice
slowing down your shots just a little during some of your fun matches
and experience the slowing of your mind. At first this can be frustrating.
You will have to work yourself through some of the pitfalls explained
in this lesson, but if you stay with it long enough you will experience
an inner tranquility that you never knew existed on a tennis court.
And without Valium! :)
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There
are three techniques that can increase your speed in tennis. The Vision
Straddle, the Split Step, and the Direction Reaction. I would like
to tackle the Direction Reaction one more time. The Direction Reaction
is exactly what it sounds like. You react according to the direction
of the ball off of your opponent's racket. Remember the ball has a
direction before it has a destination. Your mind should be thinking
about the direction first and the destination second. Unfortunately,
most players think of the destination first. This causes a slight
hesitation before they move to the ball. When I'm working on this
drill and I tell players to go after the ball, they look over at me
and say, why should I, that ball was going out. I quickly point out,
if you know the ball is going out you waited way too long to react
to the ball.
Let's see if
I can illustrate this better. Will you agree that when the ball
is a foot or so off of your opponent's strings a certain set of
conditions exist that are different than when the ball is 5 or 10
feet off of your opponent's strings? I hope your answer is yes.
When the ball
is a foot or so off your opponent's strings no one knows for sure
if the ball is going to be in or out. When the ball is 5 or 10 feet
off the strings players can begin to tell if a ball is going in
or not. When it gets 15 to 20 feet off the strings your chances
of figuring whether a ball is in or out increases dramatically.
The conditions change the farther the ball is off your opponent's
strings. When you tell me you knew that ball was going out, you've
waited 15 or 20 feet off your opponents strings before you began
reacting to the ball!
The art of the
Direction Reaction is to react when the ball is a foot or so off
your opponent's strings and begin moving immediately. No one knows,
including the Pros, exactly where the ball is going. You react first,
then analyze if the ball is going in or out. The next time you're
practicing give it a try! Move according to the direction of the
ball off your opponent's strings. Do not wait until you know for
sure if the ball is in or out. I'll see you at Wimbledon!
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